Adrienne Novy is one of the country’s most exciting young poets. Her debut collection Crowd Surfing With God (published by Half Mystic Press) is sure to resonant with anyone who’s ever found community in a record, moshpit, or one line from a song. We got a chance to speak with Novy about her poetry, religion, and pop punk. Continue reading
On their debut album, Parkways capture a classic sense of pop-punk malaise. The band’s debut EP Constant Memory draws from lo-fi and pop-punk past, but it never feels nostalgic. The Trenton-based group create the type of energy suited for jumping around in basements. Continue reading
Savor the Season is a new column from Burger-A-Day where writers discuss seasonal favorites. Today, we’re breaking down mozzarella sticks that we found in Bryant Park.
Mozzarella sticks are a food for drunk people and children. If you’re sober and order mozzarella sticks, you’re trying to recapture some childlike sense of wonder or the emotions of being borderline blacked out at a dollar slice pizzeria. There’s nothing inherently wrong with this. Mozzarella sticks are a simple pleasure that the appetizer gods have bestowed upon us mere mortals. Big Mozz captures that and only that. Continue reading
Savor the Season is a new column from Burger-A-Day where writers discuss seasonal favorites. Today, we’re talking about Starbucks’ limited new frappuccino just in time for Halloween!
Who says a cash grab can’t be good? Starbucks’ limited release frappuccinos have been mostly bad, colorful (mainly purple) attempts to sell people aesthetically pleasing Instagram posts with so much sugar they’re undrinkable. Nonetheless, it is Halloween so I figured if there was a time to try the Bucks’ Witch’s Brew Frap, it was today. Unlike the Unicorn Frap or the Crystal Ball Frap, Starbucks really made something almost worthwhile. Continue reading
The idea of Julien Baker, Phoebe Bridgers, and Lucy Dacus forming a band and releasing a great EP almost sounds like a joke. While each is distinctive from the next, they’re all within the same ballpark; it’s sounds too good to be true. Also, this record is the real fucking deal. It wouldn’t be a shocker if it was a cheap cash-in EP for a massive tour, but it’s an unbelievably dynamic record. If each of these women wanted to quit their solo careers and just focus on boygenius, I’m sure it would be just as compelling. What makes boygenius an engaging listen is the exact same thing that makes each singer’s solo albums engaging, they’re strong women who find that strength in being vulnerable and emotional. Continue reading
Supposedly, the ancient Persians would make laws, and then, they would get drunk to make sure they made the right law. Looking through history, some of our greatest thinkers, writers, and figures have been drunks, and it’s makes you think maybe the Persians had something. That’s not to say all important life decisions should be decided when teetering on a blackout, but sometimes brilliance can be whiskey drenched. Steady Hands explore the inner workings of human nature, while downing a Pabst Blue Ribbon on their proper debut album Truth in Comedy. Continue reading
Joyce Manor’s 2016 album Cody showed a band that was willing to take a step away from the abrasive, no bullshit pop-punk that they’d perfected into a band with similar ethics but making more power-pop inspired indie rock. Sure, there were still pop-punk bangers like “Fake I.D.” and “Reversing Machine,” but songs like “Eighteen” or “This Song Is A Mess But So Am I” fell more into a sort of Blue Album worship in crafting great pop-savvy indie rock. Million Dollars to Kill Me doesn’t feel like a continuation of Cody nor does it feel like it’s picking up after Never Hungover Again; it sounds like a band that is truly without a care and is making whatever the hell it wants. Continue reading
Savor the Season is a new column from Burger-A-Day where writers discuss seasonal favorites. Today, we’re starting simple with 2018 edition of Starbucks’ seasonal staple: the Pumpkin Spice Latte.
Remember on Recovery when Eminem straight up said, “Them last two albums didn’t count/Encore, I was on drugs. Relapse, I was flushin’ ‘em out?” While Recovery may not be the definitive album in Marshall Mathers’ catalogue, it was really great to see Eminem own up to two albums that were really just subpar, and that album was followed by Eminem’s best album in 11 years. Revival was a serious misstep for Eminem, and while there’s a certain excitement and viciousness in Kamikaze, it’s an even bigger one. Continue reading
Death Cab For Cutie have always been a respectable indie-rock act with personable lyrics that appeal to people that may also dabble with theatrical emo. Ben Gibbard and company have always created serviceable sad jams. Even on 2015’s Kintsugi, despite age and maturity, Gibbard was able to bring the self-loathing goods on a song like “No Room in Frame.” Thank You For Today sees the band’s expansion of sound that they began exploring on Codes and Keys, but it also sees the band peddling back into their early material. The album comes out feeling like an incoherent blob of ennui. Continue reading