Petal-Magic Gone

               Despite 2015’s Shame being a powerful debut filled with pounding hits (“Tommy”) and emotive ballads (“Heaven”), it didn’t really deliver nearly as much as one would hope a debut would.  Kiley Lotz, Petal’s songwriter, vocalist, and guitarist, revealed in a recent piece for Out that this would be the first album where she has songs about her sexuality.  Magic Gone sees Lotz jumping over any hurdles that Shame couldn’t completely clear.  The songs are fearless and well-crafted on Magic Gone.  Lotz retains the charm of her first album, but she holds nothing back here. Continue reading

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Kanye West-ye

The nature of waiting on Kanye West’s ye has been conflicting.  In some sense, it was nerve-racking: Kanye West, already the most polarizing artist of the decade, had recently come out as a Trump supporter (suspected to be the product of a mental breakdown).  The first track released from this album cycle was the meme-birthing “Lift Yourself,” arguably Yeezy’s most cringe-worthy lyrical work to date.  This also comes as the world of mainstream rap is enthralled by a Drake and Pusha T beef that seems to only be growing.  With that being said, there’s still the excitement that comes with being a Kanye fan.  It’s not exactly at the same level of The Life of Pablo, with the Yeezy Season 3 showing at Madison Square Garden or surprise album drop on SNL.  Reading about the listening party in Wyoming and getting the album a few hours later, I felt the same exhilaration as hearing that Life of Pablo dropped on SNL, seeing the Yeezus artwork, and first hearing “Runaway.”  From the time Kanye announced this album until now, it’s been a period of wrestling with wanting the new album to be good from a fan’s perspective but also struggling to come to terms with Kanye’s politics.  Surprisingly, there was little to be worried about on either front. Continue reading