Singer-songwriter Sidney Gish has slowly been building her presence in the Boston music scene since the release of her debut album, Ed Buys Houses. Still, Gish has been prolific in her short career, releasing large amounts of material in a short time via Soundcloud and Bandcamp, while studying the music industry at Northeastern University. Her songs are often catchy and silly, but incredibly well-crafted, especially when you realize that Gish does everything herself. We got a chance to speak to her shortly after the release of Camino ‘84’s new single, “Sounds Fake But Ok,” which she’s featured on.
BAD: What is it like collaborating with a different artist where most of your other work is solo? Continue reading
Hey, remember being in middle school and taking everything as a personal attack because puberty is probably the most personal attack anyone can ever receive? Ever want to relieve those feelings of awkwardness, unspent rage and rapid-fire mood swings that left your parents looking longing at military schools? No? Continue reading
Before the film adaptation’s release, here’s some insight into Jeannette Walls’ modern classic The Glass Castle.
Spending another week on The New York Times’ Bestseller List and on it’s way to theatres, The Glass Castle continues to be a memoir that holds the public’s attention. If for some reason you managed to escape the media storm surrounding the movie, Glass Castle is the memoir of Jeannette Walls, currently a successful writer and journalist in New York, but once a girl living a rootless lifestyle with two erratic parents. Glass Castle has been out since 2005, but I find when a book holds the public’s attention for this long without fanfare and merchandise of midnight releases and chest tattoos, it’s important to ask why. Continue reading
A loose parody of 14th century novel The Decameron, The Little Hours (dir. Jeff
Baena) features Dave Franco as a runaway who, pretending to be a deaf-mute, starts
hooking up with nuns at a convent. The concept, on paper, could be a dramatic
period piece, but it’s a lighthearted 90-minute comedy. Basically the entire cast is a
comedy powerhouse- Nick Offerman, Molly Shannon, Alison Brie, Aubrey Plaza, Fred
Armisen, and John C. Reilly. Clearly, some effort was made to cast people with excellent
comic timing. Continue reading
As evidenced by his work with SNL and sketch group Good Neighbor, Kyle Mooney has been building a career out of playing a similar type of character over and over again, but I think he does it with enough genuine empathy and admiration that I can’t complain. Mooney excels at cringe comedy, and he does this especially well in Brigsby Bear (dir. Dave McCary), in which he portrays a young man who essentially has never seen or heard of anything. Continue reading
Jen Gloeckner’s debut and sophomore album were both very faithful folk albums, making her recent Vine a major departure from her previous sound. We got to talk to Gloeckner about what the recording process was like, touring, and her next album.
BurgerADay:Your sound on Vine is drastically different from Mouth of Mars. It’s a very Bon Iver-like switch to go from a very organic folk sound to something much more ambient and electronic. Why did you make the sudden shift for this album? Continue reading