Pop-punk isn’t really the type of scene that bands really grow into large acts in; emo is much more unlikely. Still, against all odds, The Front Bottoms have reared their heads out of a niche corner in an underground scene and become full-fledged rockstars. Seeing them headline Terminal 5, the largest venue the band has ever headlined, it was hard not to get teary-eyed with pride. Continue reading
terminal 5
Japandroids: Terminal 5, New York, NY 2/23/17
In 2012, I was still a baby in the world of indie-rock. I still listened to Marilyn Manson pretty religiously. Eminem’s Slim Shady LP was still relatively prominent on my iPod Classic, and I mostly listened to Green Day above all else. I was a senior in high school. The world at my fingertips, I was pretty picky about what I deemed fine for my ears. Still, that was the year I began listening to Radiohead, Death Cab for Cutie, and Lou Reed: gateway bands. It was also the year Celebration Rock was released. It seemed every major music publication discussed this breakthrough Japandroids record. Armed with one of the best band names in rock, I figured these guys couldn’t be bad. Celebration Rock was an absolute gamechanger. I was fascinated by how two people could make such full sounds with great lyrics. It became a staple of my first semester of college. Even though my friends weren’t as enthused with lines like “Give me that night you were already in bed/said ‘fuck it’ stayed up to drink with me instead,” I was enthralled. Celebration Rock is the type of record you believe you’re living when you’re just starting college. Continue reading