Where Painkillers served to bridge the gap from the crumbling Gaslight Anthem’s worst album to Brian Fallon’s solo career, Sleepwalkers sees Fallon comfortable in a singer-songwriter role.  His sophomore solo effort marks a massive step up from the previous album.  Fallon leans on the nostalgia that made him a punk celebrity, and the album is a good supplement to The Gaslight Anthem reunion this summer. Continue reading →