With a huge output of great records and songs this year, there were a ton of contenders for this year’s best albums. So many of pop’s biggest names either took a gap year to tour last year’s records (Taylor Swift, Lorde), take time to build hype (Carly Rae Jespsen, Adele), or indulge in passion-projects (Beyonce, Jay-Z, Kendrick Lamar), this year has been an open opportunity for a number of smaller acts and newcomers to make a big splash, and there’s been a ton. Continue reading
Despite 2015’s Shame being a powerful debut filled with pounding hits (“Tommy”) and emotive ballads (“Heaven”), it didn’t really deliver nearly as much as one would hope a debut would. Kiley Lotz, Petal’s songwriter, vocalist, and guitarist, revealed in a recent piece for Out that this would be the first album where she has songs about her sexuality. Magic Gone sees Lotz jumping over any hurdles that Shame couldn’t completely clear. The songs are fearless and well-crafted on Magic Gone. Lotz retains the charm of her first album, but she holds nothing back here. Continue reading
Released almost exactly one year after her debut album, Sidney Gish’s new No Dogs Allowed marks a significant step forward for the Boston singer-songwriter. Gish’s debut marked the scope of her ambition by having her play every instrument, mostly with just her guitar and voice. Dogs sees Gish venturing with different guitar tones, more drum loops, and real bass. Gish also keeps with her writing of catchy songs withs, somewhat random lyrics, although she seems a little bit more thoughtful this time around. With the increased popularity, Gish is placing herself in league with the likes of Waxahatchee, Julien Baker, and other indie-pop songstresses that have taken the music industry by storm so much in the past year. Continue reading
Singer-songwriter Sidney Gish has slowly been building her presence in the Boston music scene since the release of her debut album, Ed Buys Houses. Still, Gish has been prolific in her short career, releasing large amounts of material in a short time via Soundcloud and Bandcamp, while studying the music industry at Northeastern University. Her songs are often catchy and silly, but incredibly well-crafted, especially when you realize that Gish does everything herself. We got a chance to speak to her shortly after the release of Camino ‘84’s new single, “Sounds Fake But Ok,” which she’s featured on.
BAD: What is it like collaborating with a different artist where most of your other work is solo? Continue reading