Releasing a follow up to one of the best pop albums of her career just shy of six months later was a bold choice, but we should’ve expected boldness from Ariana Grande immediately following the release of “thank u, next.” After calling off a wedding and the death of an ex-boyfriend, Grande’s thank u, next is a pop ode to self-reliance and resilience. This is both a chance for her to lay out her side of every story that’s been published about her, but it’s also a victory lap. It has moments of brilliance, but it mostly feels like a kiss off to all the media attention she’s been given and create her own narrative. Sometimes, a plot twist in your own narrative is what cements you as pop royalty. Continue reading
The nature of waiting on Kanye West’s ye has been conflicting. In some sense, it was nerve-racking: Kanye West, already the most polarizing artist of the decade, had recently come out as a Trump supporter (suspected to be the product of a mental breakdown). The first track released from this album cycle was the meme-birthing “Lift Yourself,” arguably Yeezy’s most cringe-worthy lyrical work to date. This also comes as the world of mainstream rap is enthralled by a Drake and Pusha T beef that seems to only be growing. With that being said, there’s still the excitement that comes with being a Kanye fan. It’s not exactly at the same level of The Life of Pablo, with the Yeezy Season 3 showing at Madison Square Garden or surprise album drop on SNL. Reading about the listening party in Wyoming and getting the album a few hours later, I felt the same exhilaration as hearing that Life of Pablo dropped on SNL, seeing the Yeezus artwork, and first hearing “Runaway.” From the time Kanye announced this album until now, it’s been a period of wrestling with wanting the new album to be good from a fan’s perspective but also struggling to come to terms with Kanye’s politics. Surprisingly, there was little to be worried about on either front. Continue reading
As evidenced by his work with SNL and sketch group Good Neighbor, Kyle Mooney has been building a career out of playing a similar type of character over and over again, but I think he does it with enough genuine empathy and admiration that I can’t complain. Mooney excels at cringe comedy, and he does this especially well in Brigsby Bear (dir. Dave McCary), in which he portrays a young man who essentially has never seen or heard of anything. Continue reading
This coincides with Chappelle’s recent pop-up shows and A Tribe Called Quest’s final album.