This is all terrible to write about. Last year’s A Crow Looked at Me was a career-defining album for Phil Elverum. That’s terrible to say, because it’s an album so rooted in the tragic loss of his wife, Geneviève. It’s also somewhat ignorant, because Elverum had been working as a musician for over two decades. While a popular artist in his own rite, A Crow Looked at Me was the sort of album that propelled him into a certain level of mainstream success. His near-immediate follow-up Now Only should not be nearly as good as it is, but it’s a similarly haunting and honest album. Continue reading →
To me, The Grammys are the Super Bowl. I always want to gamble on it. I usually know what’s going to happen. I’m glued to the TV for hours, and I get drunk while doing it. Unlike the Super Bowl though, the person who wins is either met with indifference or excitement, rarely anger. This year, BurgerADay are laying out the pics for who will win versus who should win. Check out our picks, and either way, just remember it’s much more important than the Patriots and Falcons. No one’s deflating these balls.
Album Of The Year:
25 — Adele
Lemonade — Beyoncé
Purpose — Justin Bieber
Views — Drake
A Sailor’s Guide To Earth — Sturgill Simpson
Should Win: Lemonade-Beyoncé
I may have been late to the party for a long time, but at the tail end of 2016, I listened to Lemonade, and it’s pretty damn great. Beyoncé is completely worthy of all the praise she’s gotten for this album. As most of the best albums of the year, Bey mixed the political with the personal, and the record can transition from an emotional gut-punch like on “Pray You Catch Me” or “Don’t Hurt Yourself” to a genuinely fun as hell hype song like “Formation.” There may be a little protest to the politicization of Beyoncé, but as someone who’s never been on board with her as a simple pop-artist, she’s certainly left a great impression this year.
Continue reading →