Top 10 Albums of 2017

There’s never really a bad year for music.  There are always going to be great albums from popstars like Lorde or underground masterpieces like Mount Eerie’s new album.  When it comes to deciding a personal top ten, it becomes a mix of what releases seemed most significant and what I returned to the most.  Where there were excellent albums from Kendrick, Japandroids, and Kesha, these were the albums that defined my year.  Also, shoutout to Run the Jewels.  RTJ 3 would’ve made the list, but they leaked it Christmas Day 2016, so too bad.

 

  1.  The World is a Beautiful Place & I Am No Longer Afraid to Die-Always Foreign

TWIABP continue to carry the torch they helped ignite in the emo revival.  Always Foreign sees the band inching forward where Harmlessness left off.  It’s the band’s most politically-minded release-to-date.  “Marine Tigers” and “Fuzz Minor” are scathing social commentaries delivered by an impassioned David F. Bello.  The band also doesn’t shy away from creating indie-rock with a sense of grandeur, as “Infinite Steve” and “Faker” see the band embracing post-rock the size of which the band hasn’t grown to before.  With the songs “The Future” and “Dillon and Her Son,” TWIABP don’t shy away from Blink-182 style pop-punk, making this the most diverse set of songs TWIABP have ever released.

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Waxahatchee-Out In The Storm

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John Darnielle made a name for himself recording simple songs into a boombox, mostly by himself, some people say that the Mountain Goats lost their touch once Darnielle brought in the rest of the band and began recording more polished albums.  Any good Mountain Goats fan knows that the band has only improved as they’ve gotten older, then why did I apply the former philosophy to Waxahatchee?  Katie Crutchfield’s debut album American Weekend was such a masterpiece that I ignored the following two albums, until Out In The Storm, which captures the lyrical essence of Waxahatchee, with wider, warmer production. Continue reading