Weezer-Weezer (The Teal Album)

When Weezer covered “Africa,” it was an awesome win for the internet and fandom as a whole; we can now pester our stars into creating the punchlines to our little jokes.  Weezer’s choice to cover a different Toto song before succumbing to a Twitter account was a well-played move, but their final covering of a song that’s really only beloved as a meme served as a bleak cultural black hole.  Now, we need to endure “Africa” blaring with a semi-ironic drone feeding into itself the same way we did with Smashmouth’s “All Star” years ago.  Now with The Teal Album, Weezer has set out to follow up their cover to show that they’re entirely competent in playing other people’s songs with little to no frills in a reliable but mostly boring output. Continue reading

Panic! At The Disco-Pray for the Wicked

When Panic! At The Disco released A Fever You Can’t Sweat Out in 2005, it was a breath of fresh air to the alternative/emo/pop-punk scene that was spilling into the mainstream.  Fever was a rock record that also felt like a work of theater, carnival sideshows and electronica, but what’s most incredible is P!ATD couldn’t follow it up for another decade.  Pretty Odd, the group’s last record with all four founding members, was a brilliant work of Beatles fetishism that couldn’t appeal to a large part of the fanbase.  Vices & Virtues felt like Fever lite.  Too Weird to Live, Too Rare to Die served as an enjoyable transition to 2016’s Death of a Bachelor, an album that may be the group’s best and the only one that feels as fully realized as FeverBachelor was the group’s most exhilarating release in over a decade, and that leads to why Pray for the Wicked is such a profound disappointment.  It’s a transitionary record for what may well be the wrong direction. Continue reading