Eminem-Revival

When I was first late to the Eminem fandom, I really went hard for Em’s technical skill, which was perfect, because he was about to put out Recovery.  Very shortly after, I was drawn to the Slim Shady persona that spoke to the angry, young man that I was.  Now, I could take or leave them both.  Some of the ~inspirational~ Eminem songs hold up better than I thought they would, and the better Slim Shady tunes were ever so self-aware.  I don’t care about Eminem as passionately as I once did.  He’s in the same folder as Marilyn Manson: take a look when there’s something new, but it’s probably not good.  Revival was unsurprisingly bad, but offensively so in its length and jingoism. Continue reading

Waxahatchee-Out In The Storm

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John Darnielle made a name for himself recording simple songs into a boombox, mostly by himself, some people say that the Mountain Goats lost their touch once Darnielle brought in the rest of the band and began recording more polished albums.  Any good Mountain Goats fan knows that the band has only improved as they’ve gotten older, then why did I apply the former philosophy to Waxahatchee?  Katie Crutchfield’s debut album American Weekend was such a masterpiece that I ignored the following two albums, until Out In The Storm, which captures the lyrical essence of Waxahatchee, with wider, warmer production. Continue reading