Adrienne Novy is one of the country’s most exciting young poets. Her debut collection Crowd Surfing With God (published by Half Mystic Press) is sure to resonant with anyone who’s ever found community in a record, moshpit, or one line from a song. We got a chance to speak with Novy about her poetry, religion, and pop punk. Continue reading
Andrea Gibson is a very good poet. Their album Hey Galaxy made a pretty large personal impact, and their previous books have generally been pretty good. This is why Take Me With You feels like such a lazy cash in. It’s an attempt to sell a very pretty book to an audience that won’t digest poetry in a more traditional form. Continue reading
Hanif Abdurraqib is one of the most unique voices in modern journalism and poetry. His 2016 poetry collection The Crown Ain’t Worth Much was a standout last year, and his often calm delivery of poetry is hypnotic. Like Crown, this essay collection They Can’t Kill Us Until They Kill Us is a beautiful meditation on pop culture, race, personal history, and the places where those conversations meet. Abdurraqib sculpts his prose in a conversationally engaging but also comforting tone. Continue reading
Before the film adaptation’s release, here’s some insight into Jeannette Walls’ modern classic The Glass Castle.
Spending another week on The New York Times’ Bestseller List and on it’s way to theatres, The Glass Castle continues to be a memoir that holds the public’s attention. If for some reason you managed to escape the media storm surrounding the movie, Glass Castle is the memoir of Jeannette Walls, currently a successful writer and journalist in New York, but once a girl living a rootless lifestyle with two erratic parents. Glass Castle has been out since 2005, but I find when a book holds the public’s attention for this long without fanfare and merchandise of midnight releases and chest tattoos, it’s important to ask why. Continue reading