Andrea Gibson is a very good poet. Their album Hey Galaxy made a pretty large personal impact, and their previous books have generally been pretty good. This is why Take Me With You feels like such a lazy cash in. It’s an attempt to sell a very pretty book to an audience that won’t digest poetry in a more traditional form. Continue reading
Before the film adaptation’s release, here’s some insight into Jeannette Walls’ modern classic The Glass Castle.
Spending another week on The New York Times’ Bestseller List and on it’s way to theatres, The Glass Castle continues to be a memoir that holds the public’s attention. If for some reason you managed to escape the media storm surrounding the movie, Glass Castle is the memoir of Jeannette Walls, currently a successful writer and journalist in New York, but once a girl living a rootless lifestyle with two erratic parents. Glass Castle has been out since 2005, but I find when a book holds the public’s attention for this long without fanfare and merchandise of midnight releases and chest tattoos, it’s important to ask why. Continue reading
Rock biographies are very often boring. Sure, the tales of sex, drugs, and rock n’ roll are enticing, but after reading stories from Led Zeppelin, Guns N’ Roses, Kiss, and countless others, all the stories seem to blend together. The first rock biography I ever read was No One Here Gets Out Alive by Jerry Hopkins about the life of Jim Morrison. Your first foray into rock literature is always unforgettable, but following reading Slash, Stairway to Heaven, No Regrets, and many others, I realized that sex and drugs were only so interesting. The one exception to this rule had always been Marilyn Manson’s The Long Hard Road Out Of Hell, until Laura Jane Grace and Dan Ozzi published Tranny. Continue reading