Justin Timberlake-Man of the Woods

 

              This is not the folktronica reinvention we were promised.  Justin Timberlake’s Man of the Woods was hyped to sound like it was his 22, A Million.  To be fair, this was all speculation; all we had confirmed was that this was going to be a return to Timberlake’s Tennessee roots.  In a sense, it succeeds. JT has gone bro-country; save for some of the extra synth’s thrown in.  Man of the Woods is an earnest attempt at artistry, but it sees Timberlake slouching into his iconic status. Continue reading

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Eminem-Revival

When I was first late to the Eminem fandom, I really went hard for Em’s technical skill, which was perfect, because he was about to put out Recovery.  Very shortly after, I was drawn to the Slim Shady persona that spoke to the angry, young man that I was.  Now, I could take or leave them both.  Some of the ~inspirational~ Eminem songs hold up better than I thought they would, and the better Slim Shady tunes were ever so self-aware.  I don’t care about Eminem as passionately as I once did.  He’s in the same folder as Marilyn Manson: take a look when there’s something new, but it’s probably not good.  Revival was unsurprisingly bad, but offensively so in its length and jingoism. Continue reading